SCARE THE DICKENS OUT OF US

$1000.00 first prize. $500.00 second prize. $250.00 third prize. And $250.00 first prize for Junior Contest winners.  All this money and really rad first place trophies, too. Top also-rans get prize ribbons, which are pretty nifty on their own. I want one.

This is the fourth year of the SCARE THE DICKENS OUT OF US ghost story writing contest. The entry fee of $20.00 for the main contest and $5.00 for the Junior contest goes to the Friends of the Dr. Eugene Clark Library in Lockhart, Texas, the oldest continuously-in-use library in Texas, and helps pays for its programming.  All of the entry fee money goes to the friends/library; the contest is privately funded and run by volunteers.

Deadline for entries is October 1, 2012. We want ghost stories. Please, put a ghost in the story. As a major character. 5,000 words tops. In English. Typewritten (I guess these days it would be computer printed) on one side of the page only, please.  We’re accepting entries now. Avoid the rush.

Junior Contest is open to ages 12-18. Anyone can enter the main contest, but they have to pay the $20.00 entry fee even if they are 18 years old or younger. This contest is open to all countries, but must be in English. Entry fees from foreign countries (except Canada) are best sent via international money orders. We want original ghost stories written specially for this contest. However, we will not publish them. After the contest you are free to submit to publications or self-publish.

See full rules at http://clarklibraryfriends.com .

WHAT I READ THIS WEEK—Under The Moon’s Shadow by T.L. Haddix.  Pudgygate by Kristine Kathryn Rusch.

See my work at 

https://www.amazon.com/author/gretchenrix

PHOTOS BY ROXANNE RIX

WHERE DO YOU GET YOUR IDEAS?

WHERE DO YOU GET YOUR IDEAS? 

One famous writer used to say he sent off for them like box-top prizes. I know that some popular and successful writers just take a title and then run with it. There are others who use word association to build a story. And then there are some who want to write about themselves.

I wrote THE COWBOY’S BABY from the title out. Some of it was obvious—cowboy, baby (but if you’ve read TCB you already know it’s not just any old cowboy and it’s a very different sort of baby). But then before I put a single word to paper, I decided my cowboy was going to be Sleeping Beauty. Why?  Because I like these sort of stories and have always wanted to write one.  That’s the only reason why. (Researching Sleeping Beauty tales was interesting. Anyone other than me run into the Anne Rice versions? No comment.)

So, now I had a sex (female) and a problem for her (sleeping? obliviousness?). To make things easier on me, I picked a setting I knew—a gated community with a golf course, swimming pools, lots of nice homes and too many middle class retirees (my parents had lived in such a place). The golf course itself gave me my other main character and one of the pivotal plot lines. At first Ellison Stewart was going to be the golf pro. Again, before I put any words to paper he morphed into the managing director of the whole place, complete with pretty, perky assistant. And since he had the pretty, perky assistant, then Sleeping Beauty had to have the stable, steady, tried and true ranch hand beau. Yes, Sleeping Beauty owns a ranch. This is Texas.

Then all of it just about wrote itself from these few basic ideas. THE COWBOY’S BABY is the only book, the only piece of fiction I’ve written from the title out. Oh, wait. I did do another a very, very long time ago. It was sort of a challenge from Harlan Ellison in an article he wrote. He said no one could write an interesting story called THE CHAIR, and I told myself I could.  I wrote it, but it didn’t work.

Back to THE COWBOY’S BABY and the title. Since I wrote the book entirely from the title, I couldn’t change the title once I was finished. It never occurred to me to look it up and see if there were any more books named THE COWBOY’S BABY. Well, there are quite a few named THE COWBOY’S BABY, but from the covers I can pretty much tell you they aren’t anything like mine. 

So, where do you get your ideas? I got mine from a title and extrapolated a complete story from it. When I found the cowboy I found the Sleeping Beauty idea. When I found the setting I found the hero and the problem that brings the two main characters together for the first time. When I found the hero I found a lot of secondary characters. And when I moved to Lockhart, Texas, I found the cowboy’s baby.

All my novels and short stories can be found at  https://www.amazon.com/author/gretchenrix 

WHAT I READ THIS WEEK—Blossom by Andrew Vachss.

If You Love Dean Koontz, You’ll Love Blake and Jordan Crouch

IF YOU LOVE DEAN KOONTZ, YOU’LL LOVE BLAKE AND JORDAN CROUCH and their new thriller EERIE.

EERIE is a haunted house novel for adults, almost impossible to put down. That said, the story turns around on itself at the end, taking us to totally unexpected places. Which is why I’m comparing EERIE to recent Dean Koontz.

Police detective Grant Moreton, never fully recovered from a brutal car accident in his childhood, abruptly finds his estranged sister Paige working out of her house as a high-dollar prostitute for successful businessmen. Businessmen just like some of the men who’ve recently disappeared in the case he is investigating. She doesn’t welcome his return, but once reuinted Grant is bound to the house and its secrets just as she is. They literally cannot walk out the front door to freedom, and it’s killing the girl.

There’s something in her bedroom that won’t let them go at any price. But it’s sending her clients away, more like zombies than living men. Why?

Compelling thriller/horror, EERIE  doesn’t go where you expect. It’s nice to see that in a novel every once in a while. Available in all the usual places:

Amazon Kindle Store  

Barnes and Noble Store

Createspace Store

You can find my books and short stories at https://www.amazon.com/author/gretchenrix . The closest thing I’ve written to this genre is When Gymkhana Smiles.

WHAT I READ THIS WEEK— The Old Vengeful by Anthony Price.  Thoroughly Kissed by Kristine Grayson.  Eerie by Blake Crouch and Jordan Crouch.

 

The home stretch

As I’m writing this I’m wondering if I’ll Have Another will be the horse that finally wins the Triple Crown this upcoming Saturday. Probably not. Does this have anything to do with my writing process? Only in that the phrase “the final stretch” is equally relevant to both the horse race and what I’m doing the month of June, which is revising and editing my current novel Talking to the Dead Guys, a Boo-Done-It mystery.

Sometimes I think revisions are the hardest thing to do in the writing of a novel. Then later on, when I’m face to face with a completely blank page one, I know the hardest thing to do in the writing of a novel is the first draft.

As far as my revisions go, I’ve already finished the final outlining (I know, I know. Normally this comes first.), and the plot outline (this is to help highlight any problems), and right now I’m going through the manuscript and taking out/beefing up the  plot problems I’ve discovered so far. I should be finished with this in a couple of days, and then I go back and flesh out the characters and make sure they’re consistent. After that I’ll go back over my research, and since this is a novel based on the town I live in, I’m going to walk out the novel and see what details need to be added in or changed to make it as close to reality as it gets. Checking for typos, misspelled words, awkward sentences and style will be last.

I made a mistake. I put off making revisions way past when I should, dreading it. Wish I could be one of those fantastic writers who have perfect to near-perfect first drafts. Already I’ve lost a couple months worth of writing time over it. But now that I’m into the work, I’m finding it enjoyable.  Almost like editing someone else’s novel. Also, putting a bit of distance between writing it and editing it makes it easier to see the problems. 

All photos by Roxanne Rix. My novels and short stories can be found at 

https://www.amazon.com/author/gretchenrix

WHAT I READ THIS WEEK–Origin by J. A. Konrath.  Heavy Time by C.J. Cherryh.

BLAKE CROUCH Q&A EERIE

EERIE, the new horror novel by bestselling thriller author Blake Crouch and his brother Jordan Crouch went live on the Nook May14 (for those of you with Nooks http://barnesandnoble.com/c/blake-crouch ). The rest of us get our chance beginning June 14. While we wait, here’s a Q&A promoting these guys and EERIE.

GR–I’ve read a lot of ghost stories lately (through the SCARE THE DICKENS OUT OF US ghost story contest) and too many of them are not true ghost stories, they are horror stories. Is EERIE truly a ghost story? And why did you pick this genre?

BLAKE–This is going to take some fancy footwork. For those who don’t know, EERIE is about two people who are trapped in a house by an otherworldly presence that has claimed the upstairs bedroom. They don’t know what it is, and neither does the reader. So you ask whether or not this is a ghost story proper, by which I assume you mean, a story with ghosts in it. Well the question of what kind of entity they’re dealing (with) and whether it’s there at all is the story, so it’s hard to talk about it without tipping our hand too much.

JORDAN–For the longest time, we didn’t know the answer ourselves. It was this big hole in our outline that we kept skirting around until we had everything except for a clear idea of what was in this house with them. In fact, we didn’t fully commit until a few thousand words into the first draft. One of the hard things about writing a “haunted house” story is striking a balance between familiar and new. We already had two people trapped in an old house, which is about as traditional as it gets, so we wanted the “force” that confronts them to feel comparatively fresh. It took a while to get it right.

BLAKE–That was really hard to do, and we ended up incorporating some of the elements we like from other genres to make it work. Some you might not expect. What we’ve ended up with feels pretty unique to us.

JORDAN–Right. So I guess I’d say it’s more than a ghost story.

GR–Jordan, introduce yourself.

JORDAN–Hi. I’m Blake’s younger brother. He’s 33, I’m 27. This is my first novel and first collaboration with Blake. I graduated from the University of North Carolina, Wilmington, in 2007 with degrees in Creative Writing and English Lit. Seattle’s home for me where I’m currently working on a few writing projects, one of which is another novel that will hopefully be out at the end of the year.

GR–Can you recommend any must-read blogs for e-book writers?

BLAKEhttp://www.jakonrath.blogspot.com/ , http://www.davidgaughran.wordpress.com/let’s-get-digital, http://www.deanwesleysmith.comhttp://terribleminds.com/rambles/blog , and http://writeitforward.wordpress.com. They’re all worth your time.

JORDAN–I’ll second http://www.jakonrath.blogspot.com/  .  It’s a great resource for anyone interested in self-publishing, but particularly for those who are new to it.

GR–Make up your own question.

BLAKE and JORDAN–The two of you are brothers. How did your relationship affect the experience of writing this book?

JORDAN–It definitely made it feel more immediate. The main characters are brother and sister after all, which we didn’t intentionally choose for that reason, although I’m sure there was some Freudian stuff happening beneath the surface.

BLAKE–It’s funny. The two main characters were originally going to be romantically involved. She would have been his old high school sweetheart who blows back into town at a time when his marriage is self-destructing. We played with that relationship for a while, but it ended up creating more problems than it was worth.

JORDAN–Yeah, we didn’t want to deal with a wife that wasn’t a major character or find a way to have their marriage fall apart off screen. This is a story set almost entirely in one location with two characters who are terrified for their lives. That’s where we wanted the dramatic energy to come from. It seems obvious now that siblings are perfect for that kind of a setup, and you’d think two brothers would be able to figure that out, but it took us forever to get there.

BLAKE–It fell into place after that. You never know how collaborations are going to pan out. Writing is a personal venture, and including another person in the equation doesn’t necessarily mean it’s going to be twice as good. I’ve been lucky with this in that past, and it’s great when it works with someone else. It’s awesome when it’s your brother.

JORDAN–Definitely. There were some heated moments, but they were always about making the story better. It’s a lot easier to tell your brother that you don’t like an idea than it is someone else. That candor let us cut through a lot of the formality and just write the story. And it’s cool to have both our names on something that we’re proud of.

BLAKE–Yep. Glad it’s done, sad it’s over. We’d do it again in a heartbeat.

GR–Thank you BLAKE CROUCH AND JORDAN CROUCH, authors of EERIE. I haven’t collaborated on a work since I was in high school, but now you’re giving me ideas about dragging my sister in for co-authorship. Sounds like fun (mostly). She’s my main beta reader, though, and I’d hate to lose that. And to those of you considering writing for the first time, this is how it gets done, just like they said.

Catch up to Blake Crouch at http://blakecrouch.com.

WHAT I READ THIS WEEK—2012 THE WAR FOR SOULS by Whitley Strieber. Pushed Too Far by Ann Voss Peterson.

The Haunting of Pico

REVIEWING THE HAUNTING OF PICO by Patrick Kampman. Available at http://amzn.com/B006QW498U 

This was a book I couldn’t put down, even though it’s aimed at the young adult audience and that’s no longer me.

Who’d ever have thought I’d be so wrapped up in the story that I couldn’t set it down until finding out what happened at that damned school dance! The Haunting of Pico is just that good.

Take small-town Texas life, add the fifty-year’s past lynching of a witch in the main character’s front yard to it, then stir in  the ghosts, and then a family of ______ (I’m not going to tell you because it will spoil the surprise), and finally sprinkle in some teenaged angst at fitting in at the new school, making friends(and making out), and there you have the basics of  The Haunting of Pico by Patrick Kampman. Most of the fun is in the details.

Well-written, fast-paced, realistic in its relationships (both family and friends), The Haunting of Pico should entertain most readers, young or old. And after you’re finished with it, try his other novel Chance In Hell. It’s equally good. Here’s the link  http://amzn.com/B0050UQ9BE.

THE WILD WILD WEST MEETS THE ROCKY HORROR PICTURE SHOW

To me Arroyo was always Indiana Jones meets Forrest Gump, but this weekend a reader caught up to me and said Wild Wild West meets The Rocky Horror Picture Show and I thought, “Right On!” We had fun selling Arroyo and The Cowboy’s Baby this Saturday at Lockhart’s Main Street Market in front of the Dr. Eugene Clark Library on the square. We will do it again. Come visit, especially if you’re in Austin. Lockhart’s famous for its barbecue and its courthouse. Imagine Lockhart means to add to that list.    www.ImagineLockhart.org

Arroyo available as an ebook  at Amazon.com http://amzn.com/B0067NCEJ4

At Barnes & Noble for the Nook at http://barnesandnoble.com/c/gretchen-rix

And at Smashwords for Apple and all the rest at http://smashwords.com/books/view/105559

 

WHAT I READ THIS WEEK–The Haunting of Pico by Patrick Kampman.

Speedbump

My plans were to have my short story THE RETURN OF TRUEPENNY published to Kindle and Kindle apps this past weekend, but I’ve hit a speedbump with KDP. My first in over two years with them. Seems my professionally formatted manuscript can’t be uploaded. I’m not panicking, or even irritated. The Kindle people get problems fixed pretty quickly. I just wonder what the hell has happened.

In the meantime, here’s the cover, at least. And here’s the link to TRUEPENNY, just in case you want to read the first.  

http://amzn.com/B007181Y0Y

WHAT I READ THIS WEEK– The Giver by Lois Lowry. In For A Penny by Lawrence Block.